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Undoubtedly , after all, the software knows the effects of most people who deal
with computer graphics -especially in the field of film and special effects. After Effects users of Mac design animated images
with the different effects. There is no limit to using this software and
it can be enjoyed in various affairs such as movies, cartoons, mobile videos and the Internet . In fact, we can dare to say that this software is one
of the most powerful two-dimensional animation and cinematic effects in the
world, which has revolutionized the attitude towards animation and
television. This software is in great harmony with Adobe Photoshop, Adobe
Premiere and Adobe AdSense.
In training coursesAfter Effects Compositing Essentials you will be familiar with the techniques of composition in this powerful application.
In training coursesAfter Effects Compositing Essentials you will be familiar with the techniques of composition in this powerful application.
Categories Learning the Essentials Compositing Effects After: Matching
Foreground to Background:
- matching colors in black and white
- implementation of dimensions
- working with the Tint and Desaturate
- create depth of field
- reduce or eliminate Grain
- and
titles After Effects Compositing Essentials: Advanced Matching and Looks:
- Advanced color correction with different objects and curves
- Add light-wrap effect to composite in backlit scene
- Combine in lens distortion
- Understand Rolling Shutter
- Matching Motion
- Working in HDR
- Creating a contrast of cinematic colors with Mojo
- Working with Looks
- And ...
- matching colors in black and white
- implementation of dimensions
- working with the Tint and Desaturate
- create depth of field
- reduce or eliminate Grain
- and
titles After Effects Compositing Essentials: Advanced Matching and Looks:
- Advanced color correction with different objects and curves
- Add light-wrap effect to composite in backlit scene
- Combine in lens distortion
- Understand Rolling Shutter
- Matching Motion
- Working in HDR
- Creating a contrast of cinematic colors with Mojo
- Working with Looks
- And ...
After Effects Compositing Essentials: Matching Foreground to
Background:
Creating a moving shot that is made up of disparate elements and looks like it was taken all at once, with a single camera, is the very core of visual effects compositing. To make the effect look natural, compositors also need a deep understanding of how to match color, light, and phenomena specific to the camera, including grain and depth of field. Matching requires no special knack; for example, you can learn to effectively match color even if you have trouble seeing color accurately. So join Mark Christiansen as he teaches you how to combine 2D or 3D foreground objects into a background scene with After Effects and seamlessly match light, color, depth of field, and noise, so that each element looks natural.
Creating a moving shot that is made up of disparate elements and looks like it was taken all at once, with a single camera, is the very core of visual effects compositing. To make the effect look natural, compositors also need a deep understanding of how to match color, light, and phenomena specific to the camera, including grain and depth of field. Matching requires no special knack; for example, you can learn to effectively match color even if you have trouble seeing color accurately. So join Mark Christiansen as he teaches you how to combine 2D or 3D foreground objects into a background scene with After Effects and seamlessly match light, color, depth of field, and noise, so that each element looks natural.
This course was created by Mark
Christiansen. We're honored to host this training in our library.
Topics include:
- Matching colors in black and white
- Matching levels with proportions
- Desaturating with tint
- Creating a depth of field
- Reducing or removing grain
After Effects Compositing Essentials: Advanced Matching and Looks:
Incorporating a 3D camera into an otherwise 2D shot, or mixing 3D and 2D layers together brings 3D reality to the 2D screen. But there's more to it than just adding a camera or camera track to a composition. You need to match the characteristics of a real, physical camera: replicating how it sees the world. You need to match the color of the original shot, or even make creative adjustments. You might need to tweak the lighting, match the motion blur, or compensate for lens distortion. You might even want to take advantage of high-dynamic range (HDR) imaging techniques or experiment with different filmic looks. In this course, Mark Christiansen takes you through these scenarios and the next step in After Effects compositing: matching a shot and making it look not just realistic, but cinematic.
Topics include:
- Advanced color correction with multiple objects and curves
- Adding a light-wrap effect to composite into a backlit scene
- Compositing into lens distortion
- Recognizing and fixing a rolling shutter
- Matching motion
- Working in HDR
- Creating a cinematic color contrast with Mojo
- Customizing a film look with looks
Topics include:
- Matching colors in black and white
- Matching levels with proportions
- Desaturating with tint
- Creating a depth of field
- Reducing or removing grain
After Effects Compositing Essentials: Advanced Matching and Looks:
Incorporating a 3D camera into an otherwise 2D shot, or mixing 3D and 2D layers together brings 3D reality to the 2D screen. But there's more to it than just adding a camera or camera track to a composition. You need to match the characteristics of a real, physical camera: replicating how it sees the world. You need to match the color of the original shot, or even make creative adjustments. You might need to tweak the lighting, match the motion blur, or compensate for lens distortion. You might even want to take advantage of high-dynamic range (HDR) imaging techniques or experiment with different filmic looks. In this course, Mark Christiansen takes you through these scenarios and the next step in After Effects compositing: matching a shot and making it look not just realistic, but cinematic.
Topics include:
- Advanced color correction with multiple objects and curves
- Adding a light-wrap effect to composite into a backlit scene
- Compositing into lens distortion
- Recognizing and fixing a rolling shutter
- Matching motion
- Working in HDR
- Creating a cinematic color contrast with Mojo
- Customizing a film look with looks
More info (open / close)
Specifications
Language: English
Teacher: Mark Christiansen
Level of training :, Secondary
Training time: 2 hours + 9 minutes +1 hours + 59 minutes
File size: ~ 5400 MB
Release Date: 21:46 - 1393/4/28 | 2014.07.19
Source: PC Download / www.p30download.ir
Rating:
Teacher: Mark Christiansen
Level of training :, Secondary
Training time: 2 hours + 9 minutes +1 hours + 59 minutes
File size: ~ 5400 MB
Release Date: 21:46 - 1393/4/28 | 2014.07.19
Source: PC Download / www.p30download.ir
Rating:
download links
Training After Effects Compositing Essentials: Matching Foreground to Background
download - 477.2 MB
File workout - 2879 MB
Download - Part One
Download - Part II
Download - Part III
Download - Part IV
Download - Part V
Download - Part VI
Training After Effects Compositing Essentials: Advanced Matching and Looks
Download - 441 MB
Workout Files - 1695 MB
Download - Part One
Download - Second Part
Download - Part III
Download - Part IV
Download Basic Image Tutorials in After Effects (In Persian)
Download Background Matching to Background (In Persian)
File workout - 2879 MB
Download - Part One
Download - Part II
Download - Part III
Download - Part IV
Download - Part V
Download - Part VI
Training After Effects Compositing Essentials: Advanced Matching and Looks
Download - 441 MB
Workout Files - 1695 MB
Download - Part One
Download - Second Part
Download - Part III
Download - Part IV
Download Basic Image Tutorials in After Effects (In Persian)
Download Background Matching to Background (In Persian)
File password www.p30download.com
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